Showing posts with label LGBT fiction. Show all posts
Showing posts with label LGBT fiction. Show all posts

Monday, 20 January 2014

Rain Dance

I respond to the idiotic claims that homosexuality causes floods the only way I know how - in the form of a story.

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“A church wedding would have been nicer,” he overhears a second cousin saying at the reception. Callum suspects this distant relative would also have preferred there be a bride, as opposed to the two young men in suits who made their vows this afternoon. He makes a mental note to strike the cousin’s name from his Christmas card list.
He didn’t even want extended family at the wedding; it was Mitchell who insisted they have everyone there. His new husband (Husband! He can’t get his head around the word) has a much more genial and forgiving nature. In fact, the only flaw of his that Callum is still working on correcting is his tendency to drop grammatical clangers from time to time.
“Shame about the weather,” somebody closer to the top table remarks – Callum thinks it might be Mitchell’s auntie. In this instance he is inclined to agree. Torrential rains have turned the hotel grounds into a swamp, making any outdoor photos completely out of the question.
A nasty little thought squirms to life in the back of his mind. Something ridiculous and half-forgotten. A story from the paper a few days before the wedding. A politician with views that skew towards the radical claimed that the government’s decision to allow same-sex couples to marry was the cause of the recent extreme weather conditions ravaging the country. Mitchell dismissed the councillor as “Old Testa-mental”, and used the article later that day to line the cat’s litter tray. And Callum didn’t give it another thought. Until now.
“Don’t be stupid,” he mutters to himself, pouring himself and his new hubby (ugh, no, ‘hubby’ is too saccharine, he decides) another generous glass of champagne. He is rescued from his own dark thoughts by the sound of a spoon tinkling against a glass.
“Good evening, everyone!” Bellows his best woman, Ros. Oh, lord. He’d forgotten about this part. It has kept him awake every night this week. He’s never been any good at it, no matter how encouraging or patient Mitchell is as a teacher.
“What are we calling you guys now – Mitchum? Callell?” Ros shrugs. “Anyway, ladies and gentlemen, please be as upstanding, as our newlyweds take their first dance.”
Callum lets Mitchell lead him by the hand onto the dance floor, and the song they took weeks to agree on begins to play; ‘You’re My Best Friend’. Because, as Mitchell said at the time, their wedding just wasn’t gay enough.
As it turns out, dancing in front of everybody he knows isn’t that bad. He steps on Mitchell’s feet a couple of times, but for the most part his awkward shuffling is met with dewy eyes and heartfelt smiles. The song is almost over when he hears the maniacal laughter. He spies the culprit at the back of the room; a guest he doesn’t recognise in a bright blue suit and derby hat. He is throwing back his head and laughing, clapping his hands, and hopping from foot to foot like an excited child.
“Bet you wish we’d stuck to close friends only,” Callum whispers in Mitchell’s ear, nodding towards the dancing madman, who is attracting the attention of the other guests.
Mitchell frowns.
“I have no idea who that is,” he replies. “I thought it was one of your old uni mates?”
Callum shakes his head. “I’ve never seen him before in my life.”
“Well let’s ask,” Mitchell says. “Looks like he’s coming over.”
And so he is – the curious blue-suited gentleman is now at the edge of the dance floor, observing the newlyweds and chuckling away. Once he notices that they have stopped dancing and are, in fact, staring at him in utter bemusement, he steps forward.
“Mind if I cut in?” He asks Mitchell, not even waiting for a response before grabbing Callum by the hand and spinning him around.
“Who the hell are you?” Callum asks, trying his best to be angry but finding that all he feels is relief – his feet finally seem to know what they’re doing, and he is matching this lunatic step for step in what can only be described as an epileptic jive. The music is louder than before, faster, and the other guests are soon sweeping onto the dance floor to join the revelry.
Thunder can be heard over the music, as it rolls across the sky outside.
“I’m Ba’al,” says the intruder. The apostrophe rings in Callum’s ears. “But you can call me Bill.”
“Ba’al,” Callum echoes. “What kind of name is that?”
“A very old one,” Bill replies, clicking his fingers in time with the beat. “It means all sorts – thunder, rain, lord of the heavens. Take your pick.”
“You’re insane,” Callum says, twisting his hips. Bill just laughs.
Mitchell reappears, refreshed champagne flutes in each hand. “Everything alright here?”
“Fine,” Callum answers, taking one of the glasses. “I’m just dancing with God.”
“A god,” Bill corrects, snatching Mitchell’s champagne and knocking it back. “We’re like the public sector. There’s loads of us.”
“Well you weren’t invited,” Mitchell says, “but you’re more than welcome to stay and enjoy the disco.”
“I might just do that!” Bill squeezes Mitchell’s cheeks as if he were a particularly cute toddler. “And is there a spread?” Mitchell nods, unflappable as always. Callum is less inclined to accept this ludicrous turn of events.
“That crazy bible-thumper was telling the truth about us, wasn't he.”
“It’s true,” Bill says, smile faltering, standing still for a moment. “Your union has made the gods weep.” Callum’s heart begins to sink. “But,” Bill continues, “these are tears of joy falling from the sky. Mankind is finally making the progress we have long known you capable of.”
“Huh,” Mitchell murmurs. “Even gods end sentences on prepositions. How about that.”
The rain god hoots with laughter once again, before moseying off through the ecstatic throng in the direction of the buffet.
~

Wednesday, 10 August 2011

Top 5 LGBT Characters in Literature

1. Kay, The Night Watch by Sarah Waters
In the years after the Second World War, Kay walks the streets of London in man's clothing, left hollow by her experiences during the Blitz.  With all the men away, Kay had found it easy to fill their shoes, becoming a hero to those such as Viv who needed her help as an ambulance driver, and playing husband to the young, unsure Helen.  Kay's sheer disregard for the period's limited view of gender is joyously refreshing, but Waters tempers this exuberance with pain.  Kay witnesses some horrific things in the war, and the woman she loves betrays her.  At the beginning of the novel, which coincides with the chronological end of the story, she sees herself as little more than a ghost.

2. Cal, Middlesex by Jeffrey Eugenides
Born Calliope to second generation immigrants, Cal enters adolescence as an intelligent girl, curious about her growing feelings for a female friend.  As we flash forward to adulthood, Cal is now narrating the story as a fully grown man.  The transformation undergone by the character is revealed at a leisurely pace, as Cal first tells us of the struggles and secrets that led his/her family to America, which in turn allowed Cal to come into existence.  A fantastic story, told by an unforgettable character.

3. Mr F, Skin Lane by Neil Bartlett
What is most frustrating (and at the same time, moving) about the protagonist of this novel is that he does not come to consciously realise his own desires until midway through the narrative, and it is only in the closing pages that he comes close to fulfilling them.  While every stage of his infatuation with the young man named Beauty is written in painstaking detail, it is Mr F's isolation that makes him relatable to the reader.  At no point does he identify with other gay men, it is his simple assumption that he is alone.  The 1960s setting of the novel cements a concept that would be laughable in a book set in the present.

4. Lestat, The Vampire Chronicles by Anne Rice
The "brat prince" Lestat is perhaps one of the most sexually fluid characters I have ever encountered in fiction.  From his early Svengali-like relationship with Louis, to his eventual fascination with Rowan Mayfair, it is not gender that attracts or influences Lestat, but beauty itself.  His arrogance, vanity and irrepressibly playful nature make him all the more compelling.

5. Villanelle, The Passion by Jeanette Winterson
Much like The Night Watch's Kay, Villanelle cross-dresses in a time period where such a thing is unheard of.  Unlike any other character on this list, however, Villanelle has webbed feet and can walk on water.  She is a child of Venice, the city of mazes, and she is as much a contradiction as her birthplace.  The portion of the novel dedicated to Villanelle's story, The Queen Of Spades, sees our heroine fall in love with an aristocratic seductress, only to have her heart stolen - quite literally.  So ensues a quest to get it back.

Tuesday, 12 July 2011

The Sarah Waters Effect: Literary LGBT Books That Would Make Excellent Television

Since Tipping The Velvet caused jaws to drop nation-wide and Sarah Waters became a household name (at least, in the households that contained a closeted gay or lesbian teenager), her novels have been delicious fodder for adaptation: while it would normally be enough that she is a master storyteller, the lesbian relationships portrayed in novels such as Fingersmith and The Night Watch (showing tonight on BBC2) add an altogether more salacious edge for television.  Earlier this year, Matt Smith starred in the Christopher Isherwood life story Christopher And His Kind, suggesting a new trend in literary, queer drama.  Below are five suggestions for the BBC's next saucy, brainy romp.


Skin Lane by Neil Bartlett
On the strength of this novel, I feel bold enough to say that Bartlett is the male Sarah Waters: Skin Lane's 1960s setting is an urban labyrinth where old-school repression jostles against post-war decadence on the same commuter train.  Mr F, the protagonist, is a tortured loner who develops an obsession with his young apprentice.  The backdrop of the fur industry would make this adaptation visually stunning.


A Spot Of Bother by Mark Haddon
This book isn't quite LGBT; it's a family tale that revolves around the chaos caused by a wedding.  One subplot is about son Jamie, who is dumped rather suddenly and cruelly by his boyfriend and spends the rest of the novel coming up with ways to feel better (one attempt includes an inadvertently hilarious hook-up).  This adaptation could be as raunchy or as family-friendly as the BBC like, as the source material is warm and funny enough to entertain without having to titillate.


The Spell by Alan Hollinghurst
Hollinghurst's prize-winning The Line Of Beauty was a fantastic reimagining of Brideshead Revisited in the Eighties, and the BBC miniseries perfectly captured not only the beginnings of the AIDs crisis, but also the reign of the Iron Lady and the fall of the untouchable upper classes.  The Spell is only a slightly less ambitious read, following the doomed romantic adventures of Alex, an uptight professional who visits his ex-lover Justin and his new partner Robin for a weekend, only to fall in love with Robin's twentysomething son Danny.  The clash of country living with the drug-fuelled nightlife that Danny revels in would make this a colourful show, if nothing else.


Girl Meets Boy by Ali Smith
Part of the Canongate Myths series, Girl Meets Boy is a modern retelling of the legend of gender-swapping Iphis.  Smith's prose is on a par with that of Sarah Waters, Ian McEwan and any other modern writer you care to name.  Gender swaps have made for some dodgy TV entertainment in the past, but the story here is strong enough to carry the concept.


The Passion by Jeanette Winterson
Venice.  Napoleon.  A girl with webbed feet.  The lush imagery and period setting of this magical realist novel would provide a beautiful and fantastical backdrop for an adaptation, which follows the life of Villanelle, a curious creature with a thirst for life and a craving for the love of a bad woman.  A miniseries version would perfectly compliment the numerous Dickensian films the BBC churns out each year, while adding more flamboyant touches such as a man with a glass eye and a seductress who keeps the hearts of her conquests in a jar.

What do you think?  Who should be the next LGBT author to sky-rocket now that the BBc have more or less exhausted Sarah Waters's back catalogue?  Suggestions in the Comments section please.

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