Showing posts with label litchat. Show all posts
Showing posts with label litchat. Show all posts

Wednesday, 10 August 2011

Top 5 LGBT Characters in Literature

1. Kay, The Night Watch by Sarah Waters
In the years after the Second World War, Kay walks the streets of London in man's clothing, left hollow by her experiences during the Blitz.  With all the men away, Kay had found it easy to fill their shoes, becoming a hero to those such as Viv who needed her help as an ambulance driver, and playing husband to the young, unsure Helen.  Kay's sheer disregard for the period's limited view of gender is joyously refreshing, but Waters tempers this exuberance with pain.  Kay witnesses some horrific things in the war, and the woman she loves betrays her.  At the beginning of the novel, which coincides with the chronological end of the story, she sees herself as little more than a ghost.

2. Cal, Middlesex by Jeffrey Eugenides
Born Calliope to second generation immigrants, Cal enters adolescence as an intelligent girl, curious about her growing feelings for a female friend.  As we flash forward to adulthood, Cal is now narrating the story as a fully grown man.  The transformation undergone by the character is revealed at a leisurely pace, as Cal first tells us of the struggles and secrets that led his/her family to America, which in turn allowed Cal to come into existence.  A fantastic story, told by an unforgettable character.

3. Mr F, Skin Lane by Neil Bartlett
What is most frustrating (and at the same time, moving) about the protagonist of this novel is that he does not come to consciously realise his own desires until midway through the narrative, and it is only in the closing pages that he comes close to fulfilling them.  While every stage of his infatuation with the young man named Beauty is written in painstaking detail, it is Mr F's isolation that makes him relatable to the reader.  At no point does he identify with other gay men, it is his simple assumption that he is alone.  The 1960s setting of the novel cements a concept that would be laughable in a book set in the present.

4. Lestat, The Vampire Chronicles by Anne Rice
The "brat prince" Lestat is perhaps one of the most sexually fluid characters I have ever encountered in fiction.  From his early Svengali-like relationship with Louis, to his eventual fascination with Rowan Mayfair, it is not gender that attracts or influences Lestat, but beauty itself.  His arrogance, vanity and irrepressibly playful nature make him all the more compelling.

5. Villanelle, The Passion by Jeanette Winterson
Much like The Night Watch's Kay, Villanelle cross-dresses in a time period where such a thing is unheard of.  Unlike any other character on this list, however, Villanelle has webbed feet and can walk on water.  She is a child of Venice, the city of mazes, and she is as much a contradiction as her birthplace.  The portion of the novel dedicated to Villanelle's story, The Queen Of Spades, sees our heroine fall in love with an aristocratic seductress, only to have her heart stolen - quite literally.  So ensues a quest to get it back.

Wednesday, 6 July 2011

5 Novels That Don't Live Up To The Hype

It's like paying for an expensive meal when you haven't really enjoyed it.  Or waking up with a hangover when you didn't even get that drunk.  Below are five novels that I looked forward to reading, only to finish with a somewhat empty, disappointed feeling.  Each entry is followed by a suggestion for a more fulfilling alternative.

Her Fearful Symmetry by Audrey Niffenegger
Say what you like about Niffenegger's debut The Time Traveler's Wife, but there's one thing you can't deny: it got our attention.  About a gazillion book sales and a blockbuster adaptation later, Niffenegger went from sci-fi-tinged romance to ghostly, Gothic fare.  Unfortunately, she just didn't seem to take to this genre as well as some other authors.  While she started off with all the right ingredients (mirror twins, a haunted apartment overlooking Highgate Cemetery, a horde of family secrets), it was as if she couldn't quite get the recipe right.  We are meant to sympathise with submissive Valentina over domineering twin Julia, but I wasn't able to get past her sickly, indeterminable characterisation.  Similarly, the plot twists that come into effect in the latter half of the novel weren't as shocking as they were meant to be - we've seen it all before. 
If you're looking for a rich, well-written tale with a similar plot and themes, I suggest you try Sleep, Pale Sister by Joanne Harris.


The Death Of Bunny Munro by Nick Cave
I never read Cave's first novel, And The Ass Saw The Angel, so I had no preconceptions about his writing style when it came to The Death Of Bunny Munro (apart from what I had gleaned from his music).  The book is sexually explicit throughout, which in itself is no problem, but Cave seems to have used graphic scenes of masturbation over any element of plot.  And while I'm used to reading novels with unsympathetic protagonists, I found myself actively hating Bunny.  When the novel reached its climax, living up to its title in the process, I felt like throwing the book down and cheering.  Perhaps it was Cave's intention to make the reader wish for Bunny's death, thus creating a more satisfactory ending (and placing the reader in collusion with the demonic serial killer) - if so, I applaud him.
Another novel about someone confronting the end of their days is Veronika Decides To Die by Paulo Coehlo.


On Chesil Beach by Ian McEwan
Let me get this out of the way first: I am a huge McEwan fan.  My problem with On Chesil Beach is not the quality of the writing, or the characterisation.  It is simply that, after thriller Enduring Love and damn near flawless Atonement, On Chesil Beach feels a little flimsy and, well, plotless.  Newlyweds travel to their honeymoon.  Bride is a virgin terrified of her wedding night, groom can hardly wait.  Their courtship is beautifully revealed in McEwan's brilliant prose, but the impressive build-up only serves to emphasise that this novel goes nowhere.
If you're looking for another good, short read by McEwan, try The Comfort Of Strangers.


The Catcher In The Rye by J.D. Salinger
Maybe I'm a philistine. Maybe I don't know what "art" is. Maybe I don't understand Holden Caulfield because I've never been a privileged teenager who had to "rebel" against his elite school.  There are some things that I do like about this book.  The opening passage, for instance.  And the little sister.  It's not, in itself, a necessarily bad book.  I'm just not sure how or why it has become such a much-lauded classic.
For angsty, misunderstood America, read The Heart Is A Lonely Hunter by Carson McCullers.


Wuthering Heights by Emily Bronte
The first time I read Wuthering Heights, it was during my final year at university.  And like many book-lovers, I often find myself purposely disliking a book for the simple fact that I'm being forced to read it, and would rather read something else.  So I thought I'd give Miss Bronte another chance, and re-read Wuthering Heights after graduating. Sadly, Cathy was still just as whiny and Heathcliff was even more of a bastard than I remembered.  To me, this novel is not a doomed romance, or a tragic love story.  It's an account of an incredibly destructive, co-dependent and abusive relationship.
For fans of love and pain, pick up a copy of Never Let Me Go by Kazuo Ishiguro.



A few other books which I felt let down by include: The Da Vinci Code by Dan Brown (very interesting concept ruined by juvenile, plodding prose) and The Book of Dave by Will Self (in which a talented writer attempts, and fails, to create a believable dystopia).

Monday, 6 June 2011

Another Look At 5 Fictional Bad Guys

The road to hell is paved with good intentions.  Following my first Top 5 Villains post, here are another five fictional antagonists - from misguided youths who think they are in the right, to hardened crooks who are rotten to the core.

5. Count Dracula
(Dracula by Bram Stoker)
First encountered by Jonathan Harker in his Carpathian castle, the Count is introduced to us as an elderly European aristocrat.  One doomed voyage of the Demeter later, he re-emerges in Victorian England as a seductive killer.  Written against the backdrop of the fin-de-siecle, a period known for body horror, numerous diseases and a fear of invasion from the East, the figure of Dracula becomes an embodiment of these concerns: an alien, rapacious force which seeks to corrupt and transform from within.

4. Edward Hyde
(Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson)
The aggressive, bestial alter ego of Dr Henry Jekyll, Hyde thinks nothing of trampling children and generally wreaking havoc on an unsuspecting city.  This tale is a moral one, of course - much like Frankenstein's monster, Edward Hyde's persona was unlocked through Jekyll's well-meaning research into human nature.  What makes Mr Hyde so genuinely threatening is the novel's assertion that a version of him resides in each and every one of us.

3. Tom Ripley
(The Ripley novels by Patricia Highsmith)
As the protagonist and puppeteer of numerous twisted escapades, Tom Ripley is at heart a chameleon.  Ingenious when it comes to attaining his goals and literally getting away with murder, he is both terrifying in his ruthlessness and inspiring in his intelligence.

2. Alec D'Urberville
(Tess of the D'Urbervilles by Thomas Hardy)
From the very first moment we meet Alec, we are yelling at Tess to get the hell away from him.  His arrogantly handsome face and obscenely red lips foreshadow a seduction - or, in this case, a rape.  Not only does Alec destroy poor Tess's virtue, but he also has the gall to reappear later in her life, a "changed man".  Already a pariah, Tess has no choice but to become Alec's companion.  It is the cruel fate doled out in Hardy's universe that the raped woman is executed for finally taking control of her own life - although I am sure every reader feels a grim satisfaction when Alec finally meets his end.

1. It's A Tie!
Amir & Briony
(The Kite Runner by Khaled Hosseini & Atonement by Ian McEwan)
These impressive and moving literary novels would have you believe that Amir and Briony are the protagonists of their respective stories, when in fact they are the catalyst for almost every bad thing that happens.  Amir is too much of a coward to come to the aid of his friend during their childhood, the after-effects of which are devestating.  Similarly, Briony's colourful imagination taints her perception when she sees the growing attraction between her sister Cecilia and Robbie, leading her to tell a destructive lie.  In their defense, Amir and Briony spend the rest of their lives trying to make up for their actions, but one can't help but get the feeling that all would have ended well if they'd just done the right thing to start with.  In an alternate fictional universe, I can see these two hitting it off.

Thursday, 26 May 2011

Top 5: Stephen King and the "Final Girl"

In the same way that Joss Whedon's feminist beliefs compel him to imperil beautiful girls in order for them to fight their way to freedom, so Stephen King brings us tale after tale of ordinary women (and plenty of men) who find themselves in the most nightmarish of scenarios and must risk everything to survive.  This Top 5 post is dedicated to that classic horror trope, the "final girl" - the female who, through cunning or skill or sheer virtue, stands triumphant at the end of the tale.

Spoilers may lie ahead for readers not familiar with all of Stephen King's work - so, you know. Beware.

5. Lisey
LISEY'S STORY
There's a tiny clue in the title of this novel as to which character might last to the final page.  As everything in the book is from Lisey's perspective, one might suspect that there is no feeling of danger - but King still manages to make the reader fear for Lisey as she discovers the unreal world that her late husband spent much of his troubled life in.  More than any other King novel, Lisey's Story is about empowerment.  Having long been the supportive wife, Lisey is forced to walk into hell alone, and come out the other side.

4. Sue Snell
CARRIE
It would be easy enough to remember the ending of Carrie, which we all read a long time ago, as one where everybody ended up dead.  Not quite: Sue Snell, the popular girl who tried to do something nice for outcast Carrie White, survives to witness the destruction her own actions caused.  If she hadn't encouraged her boyfriend to take Carrie to the prom, then the unfortunate pig's blood incident would never have happened, and all those cruel teenagers who tormented her would still be alive.  Actually, come to think of it, it sounds like an unconventionally happy ending to me.

3. Wendy
THE SHINING
Motherly love never came stronger than it did in Wendy Torrance.  A large, uneasy portion of The Shining is spent watching her walk on eggshells around her recovering alcoholic husband, all the while being eaten up inside with fear and anger at what might happen to their son Danny if Jack falls off the wagon.  Stanley Kubrick's film adaptation did nothing to convey the lioness-defending-her-cub strength of character that Wendy embodies in the book - shattered bones and a head injury do not stop her dragging herself, inch by painful inch, to Danny's aid.

2. Rosie
ROSE MADDER
This story is one of numerous trials.  Rose Daniels suffers for years at the hands of a violent, abusive husband.  When she finally works up the courage to leave him, an even more terrifying journey begins, as she finds herself drawn into a dream-like painted world, where her fearsome doppelänger holds the key to vengeance.  Rose's survival is a triumph, but is shadowed by an epilogue which reveals (SPOILERS) she has inherited her former husband's bloody rages.


1. Jessie
GERALD'S GAME
Personally, I think the word "harrowing" is overused, especially when describing books.  But in this case I find it incredibly apt - I was as attached to Jessie's ordeal as she was to the bed.  When a simple sex game goes awry and Jessie is left naked and alone, it is not death that poses a threat.  It is the voices.  The madness.  And the misshapen face that keeps emerging from the shadows.  Gerald's Game is not a supernatural novel, making the unlikely peril Jessie faces feel all the more real.

Wednesday, 25 May 2011

5 More Awesome Fictional Characters

Following on from my Top 5 Fictional Characters, here is a second lot of made-up people who are incredibly entertaining.  I'd be happy to sit down and have a drink with each and every one of them.




5. Holly Golightly
(Breakfast at Tiffany's by Truman Capote)
Whether you're watching Audrey Hepburn charm her way through life on-screen or reading Truman Capote's source novel, there's no denying that Miss Holiday Golightly is no average gal.  Born Lula Mae Barnes in a backwood town in Texas, Holly is constantly reinventing herself, shaping her own destiny and cheerily hopping from romance to disaster to adventure.  One could also interpret the character as a manic, selfish strumpet, but let's not be mean-spirited.

4. Marquis de Carabas
(Neverwhere by Neil Gaiman)
I know, I know.  I seem incapable of composing any sort of book list without including one of Neil Gaiman's creations.  But seriously, read Neverwhere and try not to fall in love with the Marquis de Carabas, the protagonist's enigmatic guide to a fantastical London underworld.  Paterson Joseph's portrayal of him in the BBC miniseries is pitch-perfect in its wicked playfulness.  You might not trust the Marquis, but it is impossible not to like him.

3. Belle de Jour
(The Secret Adventures of a London Call Girl)
Technically, this one isn't fictional.  But while the anonymous nature of her numerous explicit memoirs lend her an almost mythic quality, Belle is at her most beguiling when she drops her seductive facade and addresses the reader honestly.  The ins and outs of her personal life are bared for all to see on the page, and though some (or most) readers may enjoy her adventures as mere titillation, there is a level of humour and intelligence in Belle's storytelling that make her genuinely likeable.

2. Tyrion Lannister
(A Song of Ice and Fire by George R.R. Martin)
I have a confession to make.  I have never been within a hundred miles of George R.R. Martin's A Song Of Ice & Fire novels.  But Peter Dinklage's performance as "The Imp" in HBO's Game of Thrones has been so full of arrogance, sly wit and genuine emotion that I feel as if I know him well.  Everyone in my house agrees that he is by far their favourite character in this sprawling epic of scheming villains, noble heroes and bare-chested everyone else.

1. Jackson Brodie
(Case Histories, One Good Turn, When Will There Be Good News?, Started Early, Took My Dog by Kate Atkinson)
The world-weary private investigator has now featured in four novels, each of which finds him dragged into a fateful web of interlocking yet seemingly unrelated mysteries.  His quest in life, it seems, is finding people who are lost, a self-imposed mission which stems from the murder of his sister years before.  Her killer was never found, a fact that haunts Jackson more potently than any ghost.  He also seems to be a magnet for a series of disasters that become comical and Job-like in their frequency - a blown up house here, a train crash there.  Atkinson's novels are full to the brim with wry humour, but at his core Jackson is a deeply troubled soul.  Despite this, the reader cannot help but hope that in the next instalment, or the one after that, he will find peace.

Who is your favourite fictional character? I'm thinking about mining the wealths of JK Rowling's world in a future post and coming up with my Top 5 Harry Potter characters.  Or maybe a themed post: Top 5 spies, witches, adventurers, lovers.  Thoughts?