Showing posts with label Ali Smith. Show all posts
Showing posts with label Ali Smith. Show all posts

Tuesday, 12 July 2011

The Sarah Waters Effect: Literary LGBT Books That Would Make Excellent Television

Since Tipping The Velvet caused jaws to drop nation-wide and Sarah Waters became a household name (at least, in the households that contained a closeted gay or lesbian teenager), her novels have been delicious fodder for adaptation: while it would normally be enough that she is a master storyteller, the lesbian relationships portrayed in novels such as Fingersmith and The Night Watch (showing tonight on BBC2) add an altogether more salacious edge for television.  Earlier this year, Matt Smith starred in the Christopher Isherwood life story Christopher And His Kind, suggesting a new trend in literary, queer drama.  Below are five suggestions for the BBC's next saucy, brainy romp.


Skin Lane by Neil Bartlett
On the strength of this novel, I feel bold enough to say that Bartlett is the male Sarah Waters: Skin Lane's 1960s setting is an urban labyrinth where old-school repression jostles against post-war decadence on the same commuter train.  Mr F, the protagonist, is a tortured loner who develops an obsession with his young apprentice.  The backdrop of the fur industry would make this adaptation visually stunning.


A Spot Of Bother by Mark Haddon
This book isn't quite LGBT; it's a family tale that revolves around the chaos caused by a wedding.  One subplot is about son Jamie, who is dumped rather suddenly and cruelly by his boyfriend and spends the rest of the novel coming up with ways to feel better (one attempt includes an inadvertently hilarious hook-up).  This adaptation could be as raunchy or as family-friendly as the BBC like, as the source material is warm and funny enough to entertain without having to titillate.


The Spell by Alan Hollinghurst
Hollinghurst's prize-winning The Line Of Beauty was a fantastic reimagining of Brideshead Revisited in the Eighties, and the BBC miniseries perfectly captured not only the beginnings of the AIDs crisis, but also the reign of the Iron Lady and the fall of the untouchable upper classes.  The Spell is only a slightly less ambitious read, following the doomed romantic adventures of Alex, an uptight professional who visits his ex-lover Justin and his new partner Robin for a weekend, only to fall in love with Robin's twentysomething son Danny.  The clash of country living with the drug-fuelled nightlife that Danny revels in would make this a colourful show, if nothing else.


Girl Meets Boy by Ali Smith
Part of the Canongate Myths series, Girl Meets Boy is a modern retelling of the legend of gender-swapping Iphis.  Smith's prose is on a par with that of Sarah Waters, Ian McEwan and any other modern writer you care to name.  Gender swaps have made for some dodgy TV entertainment in the past, but the story here is strong enough to carry the concept.


The Passion by Jeanette Winterson
Venice.  Napoleon.  A girl with webbed feet.  The lush imagery and period setting of this magical realist novel would provide a beautiful and fantastical backdrop for an adaptation, which follows the life of Villanelle, a curious creature with a thirst for life and a craving for the love of a bad woman.  A miniseries version would perfectly compliment the numerous Dickensian films the BBC churns out each year, while adding more flamboyant touches such as a man with a glass eye and a seductress who keeps the hearts of her conquests in a jar.

What do you think?  Who should be the next LGBT author to sky-rocket now that the BBc have more or less exhausted Sarah Waters's back catalogue?  Suggestions in the Comments section please.

~

Wednesday, 27 April 2011

Top 5... Books With WTF? Endings

Have you ever enjoyed a novel, only to feel let down by a weak, poorly thought out, or simply insane ending?  As if the author gave up on making sense and decided to let his pot-smoking dog write the final chapter instead.  Some writers base an entire novel around an ending that doesn't make much sense - a prime example of which is Jeffrey Eugenides and The Virgin Suicides.  Below are five examples of how to do it properly: these books will leave you baffled, bemused and scratching your head, but ultimately grateful for the experience.  I've included no spoilers, so that you may go on to enjoy these mad, mad stories for yourself.

5. I'm Not Scared by Niccolò Ammaniti
This novel's opening premise is as bizarre as its ending - the central character, a young boy in 1940s Italy, discovers a hole in the ground which conceals a captive child.  Initially, I expected the story to play out like a fairy tale - is the boy a monster, or some kind of spirit?  Neither - the explanation is much more logical, although no less surprising.


4. The Snow Garden by Christopher Rice
The main characters in Rice's second novel all see their freshman year of college as a chance to reinvent themselves and shed the troubles of their former lives.  This means that, as a reader, you grow to empathise with people who are not what they seem.  The climactic scenes in this book are among the most bizarre, grotesque and well-written endings that I have ever read.


3. Lunar Park by Bret Easton Ellis
I'm pretty sure that you could include most novels from Bret Easton Ellis's oeuvre here, from the abrupt, mid-sentence ending of The Rules of Attraction to the peculiar revelations of American Psycho.  But Lunar Park is my personal choice for this list, simply as it is the most frustrating.  It seems to switch genre every couple of pages, transforming from a standard Bret Easton Ellis sex-and-drug-fuelled romp into a ghost story, a missing child drama, a horror tale, and ultimately, pure meta-fiction.  I'll admit to not very much liking this book for the entire time I was reading it - that is, until its poetic, redemptive final few pages.


2. The Accidental by Ali Smith
Amber, a most peculiar woman, arrives out of nowhere to disrupt a troubled family's holiday.  The husband assumes she is a friend of his wife, and the wife assumes the opposite.  The truth is, nobody knows who Amber is or where she came from.  She inserts herself into the daily lives of their children: young, curious Astrid and anxious teenager Magnus.  For a little while, you suspect this is going to be one of those stories where a magical stranger changes a family's lives for the better - but nothing could be further from the truth.  The final few chapters of The Accidental confound the reader so much that it is impossible to resist the urge to go back and read from the beginning, in the hopes that you missed some kind of clue that will give this book some kind of meaning.


1. Thirteen by Sebastian Beaumont
If you're a fan of the films of David Lynch, I cannot recommend this book highly enough.  The central character is a taxi driver who has spent so long working the night shift that he feels disconnected to real life.  Into his fractious world walks Valerie, a terminally ill woman who lives at 13 Wish Road.  As the driver's hold on reality begins to crumble, he discovers that there is no Number 13 Wish Road - the street ends at 12.  Soon, he is meeting more people like Valerie - individuals that seem to know him, even though he has never met them before.  Thus begins a surreal, riveting journey into madness.